When I was 10 years old my Mom brought home a disc for Final Cut 7. I taught myself how to use it and started editing snowboard videos of me and my brothers. I thought I wanted to be a professional snowboarder, then studied psychology in college and thought about becoming a therapist, and one day decided to take the leap into the world of film.

I began my professional career in 2017 as an assistant editor on the doc series Far From Home with Boardwalk Pictures and WZRDmedia. I worked my way up the ladder at WZRD to our Head of Post in 2021 and managed the post workflow of multiple small-network shows, commercials, feature docs and branded films, then realized that I was on the wrong path.

I wanted to be an editor, to spend my days and nights breaking through the weeds of the story and figuring out the most emotional way to tell it. I became a full time freelancer, and soon after was called to be an editor at the Sundance Director’s Lab in 2023.

Over the last three years, I edited the doc series The Crux (Sundance Brand Storytelling 2024), the narrative feature Kites (Special Jury Mention, Tribeca Film Festival), produced and edited the narrative feature Mouse (Best Feature Film, Brooklyn Film Festival and FilmFestKnox), and edited Call to Serve (Hulu).

I just wrapped editing a documentary to be released in 2026, a short that’s premiering at SXSW, am developing multiple feature films, and exploring new frontiers within film and media.